In the Beginning...What new Nightmares will this film bring?

  

At the moment we have no idea what dreams may come with the new A Nightmare on Elm Street film. Other than a vague statement that the studio has purchased the rights to Wes Craven's original script. What that means for a final film is still unknown. It could be just a necessary legal rights situational need in order to even use the character or concept of Fred Krueger. Not an intention of remaking the original,yet again.

And even with the original script rights, there are so many additional questions as to what type of Freddy we will see back up on the screen. The dark monster in the shadows?The jokester? The MTV music video star? etc. etc. etc.

Which version would I like?  Depends on the script. Since we are decades removed from the last appearance on screen, I think it's time to go back to the beginning. The sadistic,taunting,dark humor of the first Freddy.

 I loved the evil giddiness of the first Freddy.A character so excited by it's new found godlike powers.

 Imagine that, you were once a child killer....then you were burned alive by the children's parents to stop you from killing ever again....then,somehow, not only do you go on "living" ...but you can now enter the dreams of children ...specifically the children of the ones who burned you alive....and now you can not only continue to murder children...but you can make your killers suffer. Krueger must have been punching the air and doing back flips of joy when he first awoke on the other side of his death. 

Kruger always appeared eager to show off his new gifts.Shove them in his victims faces to illustrate how untouchable he is in the dream. The way Freddy loved to cut and damage his own body in front of his intended victim as if to say "How do you think you could ever hurt me when I can do this to myself?" It's easy to imagine the living Fred as having been a cutter,and this is an extension of that behavior in his afterlife. 

And the way he laughs at all this, mocking his victims hopes of fighting back.The expression of gleeful hate just with the actors gleaming eyes. There were not any punchlines or post coital kill puns in he first film.Just taunting ,laughter ,and anger.

Over the decades,I've often thought about what type of new A Nightmare on Elm Street movie I would like to watch. From a legacy sequel to the first film, a sequel to all the sequels(I still dream of a film where Nancy is the real Dream Master,the light to Freddy's dark in the dream world.Her helping children escape his clutches.Tripping Freddy when he chases.Pulling victims away from his grasp.),a whole new beast (a world where EVERYONE knows who Freddy is,like Santa Claus), to just random Nightmare elements. ( I've always wanted to see a spider made out of the Freddy's glove.No face,or eyes, just a backplate with eight finger knives click clack clacking,scurrying fast along the metal grating of the boiler floor.Like an Alien facehugger.

Whatever version of Freddy they try to use,whatever story they try to tell, I feel they will need to begin with a bang to set the tone for this generations A Nightmare on Elm Street. Any potential sequel will evolve from this moment. They need to illustrate this is not your parent's Freddy so as not to be so beholden to the past. To break audiences expectations. To once again put us the viewer on the edge of not being able to anticipate what happens next.

 While trying to fall asleep last night after an exhausting day of care giving for my Parents, I was struck with an idea...something that would immediately show the audience things are about to get serious. 

Show Freddy killing a child. 

In the movies, we hear the stories of how he murdered children.But we never see his handywork. We rarely even see the grief. The main victims of Krueger's rage was teenagers. Children who can fight back.Who know to tell a creepy adult "NO".

 What if the movie began with Krueger murdering a child in it's dream? It would be unsettling.

 Then my thoughts took this thread a little further. The idea for this Nightmare would be that the teenagers are the ones seeking revenge on Freddy for him killing or hurting one of their siblings. Within the dream.

The teenagers listen to the children's fears. Take them serious when the adults around them do not.Become dream warriors to protect their younger brother or sister. Or avenge their deaths. 

And in doing so,discover their family's secret and connection to Freddy. 

I began randomly picturing scenarios that would mirror the original where one teenager tells their younger sibling that they will watch over them while they sleep.Wake them if they think something is wrong. But fall asleep and get murdered by Kruger.Only for the younger sibling to wake up next to their older brothers bloody body.

 Or echo the first movie, the teenager watches Kruger kill their younger family member in the dream,waking covered in their blood.The parents think they were the killer.They are arrested.Krueger visits them in the jail cell that night. And talks the distraught,grief stricken kid into hanging themselves. 

I pictured it at first looking as if Freddy was wrapping the sheet around his neck.But as Krueger speaks, and uses the image of the bloody younger sibling crying,playing on the guilt "why didn't you save me from him?""You were never there for me!" "Mommies mad at you" the reveal is that the teenager is tightening the noose.(out of his own control, or by his own hand?) And as they are at their edge.Krueger whispers "Come to Freddy" and the teenager steps forward 

So as these random flashes of ideas bounced around my sleep deprived thoughts, I found myself picturing how it would all start....

FADE IN: 

We see the building of the glove,closeups. 

This should invoke nostalgia and even fan service cheering in it's presentation.

While gathering and constructing,the figure cuts themselves with one of the knives with the slightest touch, illustrating how sharp they are.Holds on the bubbling up blood from the cut, admiring the way it  flows and trickles off their finger. 

This construction would be intercut with a young child in their pajamas running,crying,scared, lost,through a dirty industrial boiler room space.
Every inch of the place looks rusted,paint peeling, unsafe to even touch surfaces.And hot.
The child is seen getting filthier the longer it stays in this place. the grime quickly accumulating on their once pristine clean pajamas (for some reason I pictured that the object on their pajamas would come back into the story later.Perhaps the object was the most favorite thing of the little kid(dinosaur-REX!!!),and later when their older sibling is fighting Freddy, they invoke the same item in their Nightmare to use to fight back in the name of their lost sibling) 

We see shadows move out of the corner of our eyes. Eyes moving,watching from the darkness.Subtlety,between steaming,dripping busted pipes and machinery. 

As the audience subconsciously cheers the completion of the glove, we counteract that momentary celebration with the actual horror with which it is intended.Once the glove is completed and slipped on for the first time,the fingers flexing outward with a Monsters vocalized expression of both anger and  "YESSsss!" satisfaction (most likely echoed by the audience) we quick cut to that same glove slashing down across the previously seen child's back.The gnarly sound of tearing fabric. 

The blades cut through the cloth,but not quite the flesh.

The child falls to the ground,crying 

They try to crawl away, kicking defensively with all their might,but shadow hands emerge from nearby darkness and pin them down.through the metal grating beneath them the child see's something looking up at them from a lower level. We don't see it, but it makes the child scream and struggle even hard to break free.Red marks form where the child has been restrained.

Looking over the child's shoulder we can make out a silhouette of a man in a fedora hat stepping out of a nearby shadow on the wall as if walking through a doorway that isn't there. Towering over the helpless kid. We can not make out any distinct features.Just the gleeful maniacal eyes enjoying the sight of their captured prey and the thoughts of what will come next,causing the shadow to give a low laugh 

We see a close-up of the kids face, eyes darting in panic.It can not see what is behind them.just feel a presence.
They continue to struggle till we see the shimmering silver of the finger blades reflecting the nearby orange light of an unseen fire (but not the whole glove,just the blades glowing,surrounded by darkness) as the monster brings one of the blades up to it's mouth  and shushs the child with a long snake like hiss  "SHHHHHHHhhhhhhhhhhh".
The child freezes.
Only their quiet whimpering continues.
From the shadow figure standing over them we see the four blades of the glove emerge from the darkness as if emerging from beneath water
The gloved hand slowly reaches down towards the child's body.And with a reactive scream, a chunk of the pajamas are ripped free.Exposing the child's back whose pristine,bright,white,untouched skin almost appears to glow in the what little fire light fills this space. 

Close up on the shadow figures face,we can see it's mouth as it grins and smiles excitedly. Rotten teeth exposed
The figure kneels before the child ,the knive fingers flexing and twitching excitedly,almost hungrily of their own accord.
The glove hand outstretches its fingers so we can see its hand is the size of the child's back.

It presses the finger blades to the flesh,but doesn't penetrate,just makes a dimple in the flesh
The child whimpers,completely terrified,quietly pleads "mommie"
The gloved hand moves the blades slowly down along the child's back, making red scratches,some deep enough to cause blood to trickle
Again we see the pleased,grinning smile in the shadow..and excited chuckle escapes it's mouth 
The kid continues cry & cry out repeatedly for their Mother
As we see the silhouette continue to make more and more slicing motions faster & faster
We don't see the contact,just hear the screams,cries for it to stop.The squishing noises of slashed fleshThe laughter of the shadow becoming more unrestrained.There is no soundtrack,even environmental sounds slip away.We are left with just theses noises.

Camera pushes in on the silhouette face as the pace of the slashing increases
Into the darkness between the gleaming eyes and cackling mouth
The main theme music kicks in  

The screen fills with blackness
As we push in, the title card of "A Nightmare on Elm Street" in red,chunky childlike letters appears in the distance and pushes forwards into the camera in one smooth motion until the letters fill the screen with red
All the while,buried under this theme, we still hear the cutting,the laughter,the crying...till the crying suddenly stops when the letters in the title have filled
the screen red

*beat* 
A flash of white
A negative of the Monsters eyes and mouth grinning
CUT TO: 

A teenage girl waking up screaming,sweating,
Mother comes running to room
"Tina, you OK"
"yeah, ma,...just a bad dream"
Mother: "You ok?"...Tina nods,Mother starts to turn and leave
Tina: "Mom, wait.....can you sit with me for a minute.Just till I fall back asleep?" 

Mother smiles,climbs into bed with daughter.Wipes her child's brow with a Kleenex she pulls from the pocket of her bathrobe
Mother:"Was it the same dream....about a little boy?
Tina: "Yes....they're getting worse"
Mother: "I can see that" * motions towards four tears in daughters nightgown and trying to make light of the moment "Gonna have to cut your fingernails or stop that kind of dreaming.One or the other"
Tina: "Mother! " but she cant help but laugh at the ridiculous nature of the statement.Her mother smiles.Tina gives a big yawn
Mother: "Lie back, mommies here. No Boogeyman's gonna get you"
Tina nestles into her Mothers embrace and starts to drift to sleep.
As she does, we hear Tina quietly whisper
"One ...two....Freddy's coming for you...
three four...better lock your door"

As the mother holds her child and listens to these words she gets a look of horror of recognition on her face as we fade to a bright foggy morning.
The young girls voice is joined and overtaken by the sound of other children singing the familiar jump-rope rhyme
 

We fade to early morning.Four children can be seen playing jump-rope in a nearby back yard. Camera turns away and moves along a white picket fence that separates the yards up to deck of a house. The same mother from the night before on the phone,pacing.Clearly troubled but not frantic. 

On a nearby table sits her coffee,and a morning newspaper where we can just barely catch a glimpse of a headline : THIRD CHILD"S BODY FOUND IN THREE WEEKS
We come in middle of her conversation
Mother:  "I don't know.She described the exact pajamas. Maybe she remembered it from an old photo she saw. When she did that family tree school project in fifth grade. No. We never told her how. Of course not. But the details were spooky.And then there was the..." she stops talking
Her daughter steps out onto the deck,books and bag in hand.Tina grabs a piece of fruit from the bowl on the table next to her Mom's newspaper. Notices the headline
Mom : Nancy got a late start,too, this morning. She's on her way. Did you put your sheets in the basket?
Tina: "Yes" 
M: "Did you remember the library book that's due back today?"
Tina lifts book up from stack in hand
M:"Take your pills?"
T:joking "..And wiped my ass,and blew my nose.Washed it all down with a Bloody Mary... Vegetables are important part of a balanced breakfast. Geesh ,Mom, Driving me to drink with your helicopter"

After a pause,Tina asks a question
"Did you ask daddy about the medication?" 
Before her Mother can answer ,Nancy arrives and comes through the gate of the white picket fence
"Good morning! Sorry I'm late" 
M:"Morning Nancy"
T"Hey, Girl" 

Tina gives Nancy the we need to talk look,keep it short
Nancy: "Here's that recipe you wanted from my Mom"- hands Tina's Mom an envelope
M : "Thank you"
Tina's mom starts asking Nancy questions, being nosy, but nice..How have you been? etc  "So Nancy, I haven't seen you in almost two weeks,think that's a record,what's his name?" 

The girls share a laugh.

The Mom keeps poking, in good humor while the girls grab bites to eat off the Mother's plate...and then as the Mother picks up a cucumber to slice she asks with the straightest of face "Banged him yet?"
 

Tina : embarrassed *  "MOM! " shoves Nancy towards the gate for a hasty exit.
Nancy laughs . Tina's Mom is having a laugh
Calls out "You're on the pill,right?" 
Tina rushes Nancy out of the gate loudly to cover whatever embarrassing question her Mom pretends to ask next
"BYE MOM!"

Tina & Nancy walk along the sidewalk under the dappled sun
Serious faces after that laughter
Tina:" I had another one last night ... how about you?"
Nancy : "kinda"
Tina: "What happened?" 
Nancy: "I was sitting in a white room .No doors, no windows . And I was drawing on the floor with a box of crayons, of all things." 
T:"What were you drawing?"
N: "Flowers of some kind...poppies I think...wait,whats that Stevie Nicks album you love?"
T:"Bella Donna?"
N"Yeah. I think it was those too. I had started on the nearby wall and just kept going down to the floor and circled around me
T: "Cool"
N: "Yeah,really cool is how they would blow like as in a breeze when I finished each one .....and there I was ,deep into my drawing ,you know like I get" 
T:"How many times have you missed your bus stop this year?"
N"42 ,but whose counting. Anyway. I'm drawing and drawing these flowers when I suddenly sense I'm not alone in the room anymore"
Tina tenses,but keeps walking,listening
N:"I look up ,and there is a little boy sitting on the wall,just sitting on the wall facing what is the floor for me.Scribbling with a black crayon,not really drawing anything, but angry lines over the flowers I had made on the wall"
"I try and call out to him,get his attention,offer him some of the many colorful crayons I have in a box next to me,but he doesn't react"
"Then suddenly a man,like the one from the dream I told you about last week, rises up from inside one of the black patches on the wall"
"It stares down at the boy beneath it, then stops and looks up at me,glares right into my eyes, and presses one of its long nails to its lips to shush me as I try and scream at the boy to look out, but nothing comes out but a puff of dust"
"The man raised its hand high above the boy.I think there were actually knives on his fingertips"
"I tried to stand up, but my legs gave out,probably from sitting for so long.And when I fell to the floor I landed in a real flower patch ,like something out of the Wizard of Oz or something
The rooms gone . The boys gone. The shadows gone"
T:" And then what happened?"

N:" I sneezed and woke myself up"
T:"What?"
N:"No seriously, I sneezed from the flowers and woke up. Even in my dreams I can't escape my allergies"   

And with that, I finally drifted off to sleep.

One,Two Freddy's BACK for you !

 

One two Freddy's coming back for new....A Nightmare on Elm Street ! 


On Monday July 13th,2026 it was announced that a new A Nightmare on Elm Street movie has been given permission from the Craven family to go forward and become the next in the legendary franchise. 

Paramount Pictures has closed a deal for the U.S. rights to the original screenplay of A Nightmare on Elm Street 

Freddy Krueger’s upcoming return is said to be “set in the world of A Nightmare on Elm Street, based on the original screenplay.” No further details are available at this time.

And while I am a dyed in the wool of my red and green striped sweater original A Nightmare On Elm Street admirer, I remain excited at the possibilities...and ..overly cautious about my emotional investment. I've been burned before.

The A Nightmare on Elm Street series has a history. Beloved actors and their characters. Multiple movies, each with their achievements and their own baggage.  So much can go wrong in the story telling.

The casting of Krueger alone is going to be the movies defining moment. One that will have angered audience members even before they see a single frame. Me, I have no expectations, or make or break demands on the specifics of the casting. Remember, how many would have pictured "Willie" from the tv show "V" as being able to go to those dark places the script demanded before seeing the finished product? And then look at the performance and presence he gave us in only seven minutes of screen time. Plus, the evolution of Robert Englund's performance in the role with each subsequent sequel.

What I want is a damn good story first. One that honors the originals intentions, but also one that strives to be original within the context. Then let the story dictate the actor. 

Personally, I want a dark story that makes us feel uncomfortable. Questions our perceptions as to whether we are in a dream or not at any point during the movie. Remove that safety net that "oh, the character is awake now, they are safe"

What I would have given for a David Lynch's A Nightmare on Elm Street. The soundtrack alone...
*Makes note to watch Fire Walk With Me again ,soon*

So Paramount is to be the studio to bring this story to the big screen. I'm honestly not that familiar with their recent output as a studio, but a quick search and I see that a multitude of their releases for 2026 alone are franchise sequels:
Scream 7,Paw Patrol 3,Scary Movie, Jackass; Best & Last, Sonic the Hedgehog 4.Angry Birds..wait, what?!?!...3?  
That's a lot of sequels. Beauty is in the eye of the beholder.

Questions abound about what this new movie will be:
Will this be a direct sequel to the events of the original movie? Nancy's children having Nightmares? Only this time the kids have a parent who listens, but can't help, because it's only their nightmares he comes too.
Another reimagining of the first movie? (Please, NO ). 
And just how will they go about depicting Fred Krueger? I want some cruelty in my Krueger. 
The character of Fred Krueger was an important step in the slasher genre. Up to that point, the monster in the movie was almost always a lumbering mute, often played by a stunt man in a mask. This lunatic taunted you, mocked your fear, laughed at you while you died. His personality shining through the makeup.
Will they continue to try to present him as the pop culture icon he became in the 80s,despite his appalling background. Would that work today?
Many new monsters have graced our screens since Freddy first slashed his way into our hearts. How will Freddy fit in today's horror genre? A throwback? Or a brand new Nightmare? 

Krueger's backstory is a problem for any new interpretation of the story of A Nightmare on Elm Street. 
Everyone knows who Freddy is, he's like Santa Claus. And that's a huge problem for telling a new tale. We know the secrets. If they reboot the beginning, we as a viewer are already too much in the know. No shocking reveal to upend our characters foundations. 

For example, the reveal from Marge in the first movie is a huge shift in stability. Nancy not only learns that BOTH her parents knew who Fred Krueger was and have been lying to her all this time, acting like it was something she made up. That in itself is a tremendous betrayal of parental trust for someone who is grieving the death of her friends, but also struggling with her own sanity in this situation. They saw their child suffering and chose to either ignore it or outright deceive her. "You just need some sleep" they inform her ,when that very act is what is putting their child in danger 

Add to that the shock of what they did to this man. “He’s dead, honey,” Marge assures her daughter, “because Mommy killed him.” The hypocritical horror of it all.

Her Dad is a cop, the environment of respect the law that Nancy would most likely have been brought up in would have been hard to swallow after hearing her mother say that she, her father, her friends parents burned a human being alive and just went on with their lives. They didn't just shoot him, quick and simple, they actively set a human on fire and then watched him burn. ( Pictures Mrs. Lantz bringing marshmallows to roast) 

The realization Nancy must have experienced after the revelation :She is suffering for her parents sins. As a child of Krueger's killers , She is being punished for merely existing.

And neither of her Parents who helped instigate this horror will, or can, help her survive. Her emotionally cold Dad doesn't believe her. Her Mom is a drunk. How can she really trust either of them to be there when she needs them? And while they couldn't possibly know of the real danger Nancy was in within her dreams, they still knew of the danger of Krueger and neglected Nancy even the truth of his existence.

When they could have chosen to arm her with knowledge, confirming to her at least that she is dreaming about someone who once actually existed, they chose denial and lies.   

What would Krueger's connective tissue be to this new movies children?
If following up the original sequels, well, Freddy murdered all the Elm Street children. He succeeded in his revenge against those who burned him. He punished all the parents. Now he would just be a child killer who does so in their dreams. And if that's all there is to him now, well, that's kind of dull. I like a little meaning to the monster.
If it's just a retelling of the original, we are right back where it started with a finite number of participants involved in his burning leaving only so many kids to be punished. 
They should find a way to open up the story so that every child is in danger, not just a select few. You don't have to be a child of Elm Street, or have a high midichlorian count to be one of the chosen. Everyone is in danger.

A potential, in the same timeline as the original series, sequel/revival idea could be to play off the spoken line "Every Town has an Elm Street". Not only that every town in America has some horror story perpetuated by actions of the supposed  upstanding middle class American. and in turn has created their own monster. There are variations on "Freddy" everywhere. But more to the point, with Krueger's release from Springfield... he can now go global. 

What if we started the movie with the idea that everyone DOES know who Freddy is ? Like Santa Claus. Parents do anything to protect their kids. Flipping the script on the previous films parental neglect. Now they are obsessively watching over you. Helicopter dreaming. There are whole business profiting off on keeping your kid alive. The military has their own platoons of Dream Warriors. Trained individuals in the art of lucid dreaming. 

But Krueger's wide open access to a buffet of babies of all flavors has also impacted the world on a global scale. Birth rates are down. He's even aborting ones for fun. The world suffers from sleep deprivation. So tensions are high. Leading to violence. Accidents. No where feels safe, awake or asleep. 
Children have no hope as they don't know if they will even get a chance to grow up. Suffering from arrested development, severe anxiety. Avoiding adult responsibilities or even pursuing independence


Who will play Freddy? 
Honestly, I don't care who plays Freddy at this point. I want the story to come first and the appropriate ACTOR chosen to fit the overall feel of the movie rather than just a name. I don't want stunt casting like is commonly done in animation films  where a name is chosen for their Q score rather than their ability to breathe life into the part with their voice alone. 

Whoever is granted this task of bringing the new Freddy to the big screen, they are going to be up against a host of people with too much time on their hands who are already sharpening the blades on their prop gloves.Ready to cut the performance to shreds.

Where's Robert you ask?
I think for this movie to succeed, it needs to not be so beholden to the past. And that includes recasting Krueger. Robert was amazing in the role. He defined it, Developed it over sequels. The fact that we still want to see him play the character one more time is a testament to his skill and performance.
Let's let someone new slip on the glove. 
I would love for Robert Englund to be involved somehow. Even if he just shares with the new actor words of wisdom from Wes. Conversations he and the director shared in the development of the role for it's first time on screen. (and record those conversations for a bluray extra...crap, Paramount usually skimps on disc extras)

My first initial blush idea is that Robert plays a David Lynch type character who has collected Springwoods newspapers since back in the day of the original killings. His home is stuffed from floor to ceiling with stacks and stacks of yellowing newsprint. Decades of weekly papers. Court documents. Obituaries. Computer printouts. Timelines. Conspiracy theory threads on the wall. His home is a maze of a forgotten past. And he has a encyclopedic recall of the location of each article.

He has been following Krueger's bloody trail since the beginning. 

And this character has collected these documents because the town has tried to erase the history by omission. He is the historian of the town's horrors.

The children in trouble seek him out based on town rumors and gossip. From him, the kids gain knowledge they can use.( Learning is fun with "Freddy"!) Truths they can believe. When every other adult around them brushes them off with lies, mockery, and indifference to their real found fear and suffering.

Maybe somewhere later in the story, there would be a reveal to more of this character,

Maybe He is secretly a fan of Freddy. He too likes the idea of punishing the parents by hurting the children. And he has his own list of local Parents who wronged him in some manner. We could see Robert wearing his version of the glove and attacking a child, or one of our main characters. 

Or alternatively, a Parent, after hearing their child has spoken to this "weirdo" tells the police( or their cop husband) a made up story to get them to get a search warrant to go through the character's home. And all the obsessive collected Freddy material makes him be treated as being guilty of a crime he didn't commit. and that night, while in jail, he is visited by the real Freddy who give him the Rod Lane treatment. Leading the public to think he committed suicide. We could follow up this scene with a confrontation from a child to parent as to why they lied about this man, resulting in his death, and the child would be shown the absolute apathy from the parent towards this mans fate. Or maybe irrational hatred simply because he was "different" (That child in question could be secretly gay, Which would make their parents words hit harder)  

The local politicians and police use this man as a scapegoat to the recent unexplainable killings. Desperate to appease the angry public mob. But the kids see through this subterfuge, and in turn learn just how little they can trust any of the adults in their lives. While they watch their neighbors gleefully celebrate this poor mans death.

Who will be our Nancy ?

 No A Nightmare on Elm Street is worth it's glove if it doesn't have a proper "Nancy". A dark monster is nothing without the light of his heroine. A strong willed,inquisitive fighter who seeks the truth of what's happening around her.Wes Craven's Nancy was so refreshing in an age of horror movies where all that the main female character's seemed to do is scream,run and trip,and somehow survive the night. She was clever.She was curious.She was compassionate.I distinctly recall my reaction to seeing her character crying after the death of her best friend Tina.It was impactful.We never saw the mourning of the death of friends in horror movies.(Granted those movies often take place over one night and there's no time to stop and sit shiva when there is all the running and the screaming) She was one of the main and many reasons I fell in love with this movie. There has to be a character like her who can stand up to the creepy man who terrorizes her. 
What version of Freddy will he be presented? 
Part one? The monster so filled with malicious glee at his unbelievable new found powers. One who takes pleasure in the prospect of terrorizing them before the kill. A sharp clawed cat playing with his capture.

Part Two? The angry caged animal who will do anything to return to his original goal.

Part Three? The showman, who turns every nightmare into an elaborate effects sequence

Part Four? The stand up MTV comedian whose only purpose seems to be to show up at the end of the nightmare to deliver a one liner 

Part Five? The neutered trapped lunatic who still needs to be fed his victims rather than invade the dreams of anyone who dares to fall asleep

Part Six? The comic book character in the final issue of his run.

When would this movie take place? culturally ?
A Nightmare on Elm Street is a reflection of it's time.And not just in regards to the horror genre.
Produced during the early years of Ronald Reagan’s presidency, who valorized the white, middle-class nuclear family. Ignoring their Blue Velvet undertones. When politicians and religious leaders championed ‘family values’ with the idealized ,two-parent household as the cornerstone of society. All this working as a reaction against the cultural upheavals of the 1960s and 1970s.

The 60s was a decade marred by assassinations, violent protest and civil disorders, a war that threatened and ultimately destroyed the lives of tens of thousands of young Americans. It saw a powerful anti-war movement that challenged concepts of patriotism,police teargassing and billy clubbing protesters. The Civil Rights Movement and a rise of a counterculture youth, a social revolution that rocked many of the nation’s traditional "values". This period transformed American society

And this was the world that Fred Krueger lived in.

I like to think that Krueger was most active in 1968/69 based on the first movie.(The first film taking place in 1981,within the month of March.) 1968 is Considered one of the most tumultuous years in modern history, that saw back-to-back national tragedies and political fracturing. With this as a backdrop to the terrorizing of y'alls neighborhood by a completely unknown child killer. Violent attitudes and tensions were already high. 
And violence begets violence.
 
Nancy's parents would have met in the 50's, married in the 60's and soon after start their family in the suburbs.By 1960, nearly one-third of the U.S. population lived in suburban areas.Wes' Nightmare takes place in a white, middle class suburbia. This is where Freddy hunts. He sees all these families hiding behind the white picket fences, complacent to the horrors happening in the world, and feels they need to be taught a lesson. Destroying their future and their American dream. (Always the dream killer, that one)  

It is into this world that Nancy is born. Her birthday is Feb 17th if you believe the novelizations. Though her birthday has also been stated as July 6th in promotional material, scripts. With the birth year being 1965. With Feb 17th, that makes Nancy just recently turned 17 (but god, she looks 20 years old) a few weeks before the Nightmare began. Tina's death occurred on Marth 13th

By 1968/69, that would have Nancy and her friends among the young ripe age for Freddy's chosen children. It is never stated in the movie when Krueger's crimes began or over what stretch of time. Did they begin slowly a year or two before picking up in frequency in '68? With kids Nancy's age disappearing and being found slaughtered in numbers, that definitely adds more immediacy to the local parents fears,anger and eventual actions.

The families in this movie are dysfunctional representation of that family values dream of the 80s. Hiding their dark past behind manicured lawns and idyllic suburban aesthetics. Uncaring. Divorced. Drunk. Gaslighting and even abandoning their own children. 

Just look at how Nancy's father responds to his daughter's question about the fate of her boyfriend "Yeah, apparently he's dead"  Apparently?!?! He offers no comfort to his daughter who has previously lost two friends within the last week and now has lost her boyfriend. Nary a syllable of care. And then promptly ignores her request for help and patronizes her with a "Just get yourself some rest" 

Following the idea that the entire movie takes place in a dream, this father is an exaggerated dream version of how Nancy has come to know her Dad in reality. Emotionally cold.

I've imagined that her parents participation in the murder of Krueger led to their divorce. The cycle of Krueger's destruction continuing to destroy his victim's families even after his death. As the guilt of the crime wore them down. Arguments rose. Poor Nancy growing up under that dark cloud of shouting parents.
Perhaps Marge pressured a conflicted Donald into it. Guilting him into it by throwing in his face how he and his fellow cops failed to protect the children. Protect Nancy. Playing on his feelings of inadequacy. Maybe Donald grew to resent Marge for making him complicit in the crime.

Which if true, forcing Donald to bend his morals in such an extreme manner, adds more weight to Marge's line -"He's dead because Mommy killed him." Not her father, whose never there for Nancy. Her Mother. In the script that line is given more of a meaning as Marge describes being the one who took her husbands police gun from it's holster and shot the burning, screaming, cursing loud enough to wake the whole town Krueger. Explaining to Nancy that it was her, not her cop father, not any of the other fathers there who did what needed to be done. Later Nancy would be the one who takes action to end Krueger. Even setting him on fire like her Mother once did. 

It's curious that Nancy's father never once speaks Fred Krueger's name. He goes out of his way to ignore what is happening.  He doesn't even try to really protect his ex wife, the mother of his daughter, when she is attacked by Freddy. Just tosses a sheet on top of them and stands back and watches. Nancy has to step up and try and save her Mother by whacking Krueger with a nearby chair

So all that being said, if this new story takes place in modern times....how would this story relate to the culture of today? Today's children, their struggles and fears brought forth by the world in which their Parents choices built for them.

If this Freddy is burned alive several decades before...what societal influence of the early 2000s could be at play in his death ?
 
In the first film, we were presented with the sins of the 60s effect on the 80s suburban dream with it's repressed community guilt, hypocritical parents, and a culture of ignoring or silencing teenage suffering. Perhaps this new film could speak to the influence on the generation who parents spend more time on their phone rather than being present with their child. Those who are easily mislead by lying political cult figures and podcasters. Abusing their children through their willful ignorance. The "'I did my own research" generation.

Online bullying for the sake of bullying. Expressed hatred from the top down and back up again. Punching down on the helpless and then laughing about it. Murder in broad daylight without repercussion.

I picture multiple characters subtlety saying something nasty mid conversation to one person, just matter-of-factly with no dramatic emotion. "We should go see that movie tonight not you, you worthless piece of shit, it's suppose to be good" 

But no other character in earshot responds to what was said ,as if it wasn't really spoken. As if that's what they think the person REALLY meant to say to them.

Imagine a sequence where Krueger simply texts terrible things to a character in a dream. Echoing, but also amplifying real life bully texts we have seen the individual has been receiving from fellow students. Preying on their self doubt and low self esteem. Twisting conversations the character had experienced . It could start like one of those previous texts...but then grow dark, as Freddy would have access to their subconscious, and know their secrets. He could pretend to be a love interest who laughs at their confession of affection, and because of the previous bully texts, we as a viewer may not know it's happening in a dream till the end .We think it's that previously nice character being a jerk

It would be dangerously triggering and mean. We might even get a brief moment where they fight back with their self confidence, quoting something nice a friend said to and about them. But the dark voice turns it back on them. Twisting the words and throwing them back in their face.

The damaging power of words. Ending with the character simply standing up from their desk, turning, to the waiting arms of Krueger. Giving themselves to him.


I know I don't want an origin story.
Leave that for the next Batman movie.
I really don't want a 2/3rds of a movie where we see a unburnt Krueger going about his business. A trial. That final, integral moment of fire. What would be entertaining about watching Freddy do what he did back then? We know how THAT story ends. Were not cheering for him to succeed. What would the movie be but a sequence of child snatching scenes. Crime scene investigations (C.S.I. Springwood!)  An arrest. A trial. A release. A match *POOF*

Just because we know these moments happened, doesn't mean we need to see them. A story like that needs the room to breath that a single movie can't adequately execute. Have we forgotten the pilot episode of Freddy's Nightmares already?

What I would like to see of the past is how seriously dire it was for the parents at the time. Their terror. The relentless helplessness that drove them to the final act. It would be hard to realize in periodical flashbacks or an info dump sequence. It would cheapen the impact.

Which is why I would love to see the new story begin with a short run 13 episode TV series. Rebuild the brand while building this new verse. With the upfront spoken intention that there will be a theatrical release following up. 

I want to be excited about the prospect of a new A Nightmare on Elm Street movie. The potential for dreams that we haven't seen depicted before. Complimented by today's special effects capabilities. Though, I do hope for more practical effects vs CGI. Something about the tactile nature of a effect has always appealed to me.

Better story potential vs the rushed sequelitis of the 80s.And constantly dwindling budgets. 
Freddy as a metaphor for modern ails. 
There is no need to reinvent the wheel, but I seriously do not want a rehash of previous films. If an effect appeared in one of the many movies, it should not appear in any new film. Why waste the opportunity to try something different? Create new iconic images. 

Ultimately I hope they honor Wes' creation. The original movie remains an important movie to me, but I don't want them to disrespect Wes Craven's art.